Dec 18, 2020
I am extremely thrilled to introduce my guest today, Professor of Music L. Poundie Burstein. He is a Professor at Hunter College College and the Graduate Center of the City University of New York and he is here today to talk to me about his excellent new book which has been getting rave reviews, “Journeys Through Galant Expositions”.
0:40 Background
6:38 Why was Form not a big area of interest in the 1st half of the
18 century?
7:50 When did the shift happen towards an interest in Form in
history?
9:21 Do discussions of Form refer to all types of compositions?
9:50 Is there a lot difference in Form between types of
instrumental music?
11:04 Who else influenced you in the study of Form?
12:02 What made you decide on the Galant period?
13:03 Joseph Riepel
17:08 Did Riepel’s work influence composers in the 18th
century?
18:27 Would modern analysts of Form find mistakes in Riepel’s
work?
20:49 Did the Italians talk about Form?
21:44 What reasons brought about the change in interest in Form in
the 18th century?
23:03 Was Form influenced by Rhetoric?
24:00 How did improvisers in the 18th century think of Form?
28:38 Did the 18th century conception of Form relate more to
Resting Points rather than formal containers or key areas?
32:31 How did musicians in the 18th century think about key areas
vs today?
34:23 Does melody influence Form?
37:16 Heinrich Christoph Koch
40:16 What was the difference between Koch and Riepel?
41:11 Was Koch representative of a typical 18th century music
theorist?
41:58 What other differences are there between the 18th century and
today?
43:37 Koch changing his mind on punctuated V chords
46:13 How do Harmony and Counterpoint influence Form?
47:01 What is the trimodular block in Sonata theory and can you
elaborate on your commentary of it?
51:12 Haydn’s Symphony No. 14 Mvt 1
53:24 How does your theoretical work help approach challenges in
other styles of music?
56:43 Top 3 Galant Composers
57:32 What’s the weirdest Galant composition you’ve ever
encountered?
58:45 If you could sit down with any theorist or composer in
history, who would it be and what would you talk about?
1:00:13 Name 3 Galant compositions that you talk about in your book
that you find really interesting
1:02:07 Upcoming projects
1:03:24 Wrapping Up