Jul 22, 2023
"The War
Machines"
Production BB
June 25 - July 16, 1966
The TARDIS brings the Doctor and Dodo back to London, 1966. There, the Doctor finds an evil force at work that he can feel and is determined to stop WOTAN and the War Machines
Podcaster John S. Drew and writer/editor Jim Beard join forces once again to become the masters of time and space as they watch and review every single episode of the Classic Doctor Who series. In this episode, they discuss the shift in storytelling tone, the even more abrupt departure of Dodo, and the music cues that were used in Spider-Man 1967. Please make sure you are subscribed to our podcast via any of the major popular podcasting apps. You can write and comment or ask questions of us via email at thedoctorsbeardpodcast@gmail.com or by joining our Facebook community.
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Jim Beard
pounds out adventure fiction with classic pulp style and flair.
A native Toledoan, he was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Spider-Man, X-Files, and Planet of the Apes prose fiction, Star Wars and Ghostbusters comic stories, and contributed articles and essays to several volumes of comic book history.
His prose work also includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a shared-world giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure.
Jim is also the co-publisher at Flinch Books, a small-press pulp house.
Please visit him on Facebook at http://facebook.com/thebeardjimbeard