Do Michal Bednář and Vojtěch Vondráček have a specific
way of performing when they are acting in absurd situations?
What are their dramaturgical strategies?
How do they describe their acting methods?
Moderated by Kent Sjöström, who comes from Sweden,
where he has been working with actors‘ training for a long time.
Now a resident of Prague, he is happy to take part in Czech theatre
life, and recently he saw a performance which he found very
interesting. Bear with a Chainsaw in Divadlo Na Zábradlí. The play
is based on several short stories written by the Finnish author
Rosa Liksom, and they show or describe some absurd events in the
countryside life of Finland. A few weeks after, he had the
opportunity to meet two actors who took part in the play: Michal
Bednář and Vojtěch Vondráček. He felt privileged to ask them a few
questions as he is very interested in the actors‘ knowledge and how
they formulate themselves about their work.
About the Podcast
Podcast blogu Podhoubí, který se zaměřuje na experimentování s jazykem současné divadelní kritiky. Dává prostor hlasům, perspektivám a způsobům formulování, které by ho jinde možná nedostaly.