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Ancient Warfare Podcast

Discussions from Ancient Warfare Magazine. Why did early civilisations fight? Who were their Generals? What was life like for the earliest soldiers? Ancient Warfare Magazine will try and answer these questions. Warfare minus two thousand years.
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Ancient Warfare Podcast
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Now displaying: April, 2026
Apr 24, 2026

tadejtomic1943 asks, "Hi Murray, what was the army composition. How many men did it have. Was that the first time the Macedonian Phalanx operated and fought in Italy?What was Alexander Molossus' ultimate goal in Italy? Thanks!" Murray goes on a deep dive to discover the answers.

 

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Apr 17, 2026

James from California has taken the time to write a fan letter to Ancient Warfare Answers! This is much appreciated! Murray muses over James' letter (which was into response to the die is cast but, as always, leads down much more widespread paths.

 

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Apr 10, 2026

The Marian reforms are said to have transformed the Roman army from a citizen militia into a more professional fighting force, reshaping how Rome made war.

In this episode, the Ancient Warfare Magazine team discuss the Marian reforms, what they actually were, and how far their impact has been understood or misunderstood.

 

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Apr 3, 2026

John has been watching the trailer for the 2026 film 'The Odyssey', starring Matt Damon as Odysseus, and something does not sit right. The Trojan War is usually dated to the thirteenth or twelfth century BC, a period associated with Mycenaean or Achaean warfare and distinctive equipment, such as boar-tusk and horned helmets. This is the world shown in archaeological reconstructions and classic works such as Peter Connolly’s The Ancient Greece of Odysseus.

Yet in film and illustration, the warriors of Homer’s epics are almost always dressed in the armour of much later centuries. Corinthian and Chalcidian helmets recur frequently, even though these types do not appear until hundreds of years after the traditional date of the Trojan War. The Odyssey trailer continues this trend, showing both Corinthian and open-faced Chalcidian helmets among Odysseus’ men.

So how did this confusion of periods become so entrenched in modern depictions of Homeric warfare? Why do artists and filmmakers consistently reach for the armour of Classical Greece rather than the material culture of the Late Bronze Age? Murray unpacks how this visual tradition developed and why it has proved so hard to shift.

 

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